Pushing into the unknown is part of human nature. Unknown lands, unknown science, unknown art. I am constantly pushing the tools and materials I work with and my skills as a craftsman to the edge of what is possible, reaching the unknown regions of art. My current work has three distinct groupings: The Wind Series,Four Moirai Form the Circle, and Carnivore.
First is my Wind Series, sculptures that suggest the force of strong wind drag on a shifting object. They each have a wire structure with copper and brass details, and most have a core of poured concrete that keeps them anchored. In 2009 I started the series after learning jewelry soldering techniques that allowed me to work with stainless steel wire in a new way. I have continued expanding the series, both adding new sculptures to it and using the existing ones as models for larger sculptures.
The second is a circular tetraptych called Four Moirai Form the Circle. Just as there are four stages to the circle of life: Birth, Life, Death, and Renew, there are four sections to this circular sculpture based on the Greek myth of the Moirai: Clotho, Lachesis, Atropos, and Efforos. The original myth with the three Moirai spinning, measuring, and cutting the thread, is too linier. Life is not a straight line, it is the circle of life, so I created Efforos to complete the circle.
The third is a large cast iron and steel sculpture called Carnovore. I fabricated it by cutting, bending, and welding together wheels from horse drawn farm equipment I excavated from the hedgerow near my house. The artwork statement for this sculpture is as follows: It has been eaten, it wants to eat. Vertebrae and ribs, the remains of an animal that was preyed upon. A carnivorous plant waiting to eat an insect. The keel and ribs of a wrecked vessel, eaten by a storm at sea or in space.
With The Wind Series and the rest of my work, I hope to enhance the richness of our life experience.